This is more or less my paper from my panel, minus all the engaging extemporaneous bits.
As a part of the larger project that I am currently working on which analyzes the rhetoric about the purposes and outcomes of Progressive Era social settlements in texts written by women I will speak today about Anzia Yezierska’s 1923 novel Salome of the Tenements. I will identify her critiques of settlement houses and progressive reform projects, and then discuss how she tried to answer the problems she presents. Lastly I will examine how Yezierska may be identifiable as an example of a New Woman or New Jewish Woman and how that might impact her analysis of the philanthropic projects that she describes.
Anzia Yezierska was a Jewish woman who emigrated to the US in her youth from a Russian Polish village in the Pale. During her young life she lived in the Lower East Side of New York, worked various jobs and earned a degree from Columbia University’s Teacher’s College. After two brief marriages and giving birth to a daughter Louise, who also became her biographer, Yezierska had a love affair with John Dewey. This short-lived relationship was one of the most important experiences to influence her writing and perhaps her vision of the world.
In 1918, by Dewey’s hand, she spent the spring and summer with a few of Dewey’s Columbia University graduate students and the eccentric businessman Albert Barnes working on a poorly organized, probably ill-conceived, research project in a Russian-Polish enclave right here in Philadelphia. This time spent working with social scientists and the wealthy Albert Barnes, who underwrote the cost of the project, also informed Yezierska’s critical assessment of the work of academics and philanthropists. Yezierksa’s fiction is rather autobiographical and her autobiography is sometimes laced with fiction.
Salome of the Tenements fits this mold as well. It features many characters and plot lines that match up with her real life experiences. The main character Sonya Vrunsky’s relationship with the philanthropist John Manning bears remarkable hints of Yezierska and Dewey. Moreover Sonya’s story of a poor immigrant girl who becomes the wife of a millionaire is based on the life of her friend Rose Pastor who married wealthy philanthropist Graham Stokes. Sonya’s story begins when she meets the man of her dreams at an interview that she conducts for the newspaper for which she writes. She is determined to marry John Manning, but realizes that she must make her appearance more appealing to a man of his standing. By the use of her wiles and charms she procures three ingredients for her seduction: first Sonya gets a the famous uptown designer Jacques Hollins to make her a stunning yet simple dress, then she manipulates her landlord into repairing and repainting her tenement, and lastly she convinces the local pawnbroker to loan her $100 to redecorate her room based on the strength of her conviction that she will marry her millionaire.
Her plan is successful, in no small part due to Sonya’s exquisite sense of taste and her enthralling beauty. She becomes John Manning’s secretary at the settlement, which helps their relationship bloom. They then marry, but separate within months. The separation comes only after a disastrous downtown meets uptown wedding reception and a blackmail scheme perpetrated by the pawnbroker to whom Sonya now owes $1500. Lastly their marriage is rocked when Sonya spends time witnessing the troublesome inner workings of the Manning Settlement House.